The Santa Cruz Peace Chorale’s Concert Repertoire 2003-2009
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2003-2004---"Singing Our Hope for Peace & Justice”
Siyahamba—South Africa
Circle Round for Freedom—Linda Hirschhorn

Yonder Come Day—traditional song from the Gullah people of the Georgia Sea Islands
I’ve Got Peace Like a River—from the African American spiritual tradition

Zabalaza!—from the South African women of the COSETU workers’ rights movement in the 1980’s
Song of Peace—Sibelius/Lloyd Stone

Wade in the Water Trilogy-a 3-part partner song of African American freedom songs from the 19th Century
Don’t Give Up-Joanne Hammil

Rolling Home—John Tams
Freedom is Coming!  South Africa

Dauna Nayeesh-Ted Warmbrand/Samir Badhri
By Love Alone—Helen Greenspan



2004-2005---“Circle of Light”
Honoring the work of Dr Martin Luther King, Jr

Yonder Come Day
Give Light-Ella Baker/Greg Artzner

Zabalaza!
Sim Shalom-Linda Hirschhorn
Wade in the Water Trilogy-trad/Melanie deMore

I Just Want to Sing Your Name---Terry Leonino/Greg Artzner

Let Justice Roll Down—Aileen Vance
A Personal View of War-Takashi Yogi

Letter to Eve-Pete Seeger
Circle Chant/Peace, Salaam, Shalom Medley---L. Hirschhorn/Emma's Revolution

One Family-Joanne Hammil

Siyahamba
Rolling Home



2005-2006-“Till Peace Replaces Fire”

Four Principles-Aileen Vance
Step by Step—trad/public domain

I Take This Vow-Ruth Pelham
Dona Nobis Pacem medley—canon by Bach/round by Praetorius

By Love Alone-Helen Greenspan
Youth- a poem by Avery Friend

Somewhere Over the Rainbow/What a Wonderful World—Harburg/Arlen- Thiele/Weiss
Hava Nashira-trad Israel

There’s a Light—Beth Neilson Chapman
Lamb & Lion—Lorraine Lee Hammond

Thula—trad South African lullaby
Gentle Arms of Eden-Dave Carter



2006-2007—“Alive & Singing!”

Honor, Heal, End-Aileen Vance
Break Em on Down-Harmony Grisman

Whole Wide World Around-JS Bach/Tom Glazer/A.Vance
Million Nightingales-Linda Hirschhorn

In My Name—Mal Finch

Colossus-Emma Lazarus
Give Me Your Tired, Your Poor—I. Berlin
Who’s the Criminal?—Ted Warmbrand

Alive and Singing!-A.Vance
The Strangest Dream--Ed McCurdy-arr Robert de Cormier

The Pledge-Aileen Vance
Paz & Libertad—José Luis Orozco/arr Joanne Hammil



2007-2008--“Where Have all the Flowers Gone? 
A Choral Tribute to Pete Seeger

1. THE WATER IS WIDE—trad.

2. ALL MIXED UP-“It is not best that we should all think alike; it is a difference of opinion that makes horse races.”—Mark Twain

 “This world will survive when we learn how to coexist.  Okay, we disagree.  You like to eat this way, and I like to eat this way.  You like to dance that way; I like to dance this way.  You think of this word meaning such and such.  I use the same word, but I’m thinking of something different.  But if we learn the lesson of the rainbow, we will be here a hundred years from now.”

3. WE WILL LOVE OR WE WILL PERISH—Pete set Bach’s “Jesu Joy of Man’s Desiring” for his banjo & the Clearwater Walkabout Chorus.  A banjo can’t manage the “B part” (which modulates) of Bach’s original score, but with Pete’s permission, Aileen re-arranged this as an acapella piece to include that beautiful second part with his original lyrics.

4.WHERE HAVE ALL THE FLOWERS GONE --inspired by a line from “And Quiet Flows the Don” by Mikail Sholokhov which was in turn taken from a Ukrainian folk song “Kaloda Duda.”  Arr. by Robert deCormier

“Realize that little things lead to bigger things. And this wonderful parable in the New Testament: the sower scatters seeds.  Some seeds fall in the pathway and get stomped on and they don’t grow.  Some fall on the rocks and they don’t grow.  But some seeds fall on fallow ground and they grow and multiply a thousand fold.  Who knows where some good little thing that you’ve done may bring results years later that you‘ve never dreamed of.”

5.HYMN FOR ALL NATIONS-music Ludwig von Beethoven/words by Don West & Pete Seeger, loosely re-arranged by Aileen Vance after Paul Halley (now THAT’S Folk Process!)

“Participation.  That’s what gonna save the human race.”

6. MBUBE— Also known as “Wimoweh,” this song was written in the 1930’s by the superb South African singer Solomon Linda. It has been colonized beyond belief, including by the Weavers, who learned it from Pete, who tried to learn it phonetically from a record. We try to sing it as close to its original as we can, but recently found out that the “wimoweh” line is actually “uyumbube."  “Mbube” is “lion” in Zulu. We reckon this lion represented the vigilant power of the Zulu people to rise up against their oppressors. George David Weiss (who copyrighted “The Lion Sleeps Tonight” recorded by The Tokens) insisted that he wrote this song, and refused to send royalties to the Linda family. Thanks to Rian Malan & Ladysmith Black Mambazo for guidance.

“Songs won’t save the planet, but then neither will books or speeches.  Songs are sneaky things; they can slip across borders.”

7. SOMOS EL BARCO---Lorre Wyatt wrote this song. Pete taught it to many people worldwide. Chorus arr by Joanne Hammil;

8. TO MY OLD BROWN EARTH—Arr by Paul Halley

“Once upon a time, wasn’t singing a part of everyday life, as much as talking, and physical exercise and religion?  Our distant ancestors, wherever they were in this world, sang while pounding grain, paddling canoes, or walking long journeys.  Can we begin to make our lives once more all of a piece?  Finding the right songs, and singing them over and over is a way to start. And when one person taps out a beat, while another person leads into the melody or when 3 people discover a harmony they never knew existed, or a crowd joins in on a chorus as though to raise the ceiling a few feet higher, then they also know there is hope for the world.”

9. IF I HAD A HAMMER—by Pete Seeger & Lee Hays/arr by Robert deCormier.

“A song is like a child: once it gets out on its own, it sometimes surprises the parent.”

10. WAIST DEEP IN THE BIG MUDDY—Arr by Aileen, with help from “The Big Muddy Ensemble:” Takashi, Bob, Joe, & Jeffrey.

“I really love this country but if somebody says, ‘But you were against the Viet Nam war; you’re anti-American, I say ‘Was Lincoln against America when he voted against the Mexican War? Was Mark Twain against America when he made speeches against the Spanish-American War in 1898?  No, if you love your country, you’ll find ways to somehow speak out and to do what you think is right.”

11. SWIMMING TO THE OTHER SIDE—w & m by Pat Humphries/Arr by Emma’s Revolution & Aileen Vance. Descant by Lui Collins. This is another song that Pete didn’t write, but one he made sure to let the world know about.

“{Music isn’t} just an attempt to make life livable.  It’s true, to a certain extent, that is one of the purposes of music, to help you survive your troubles.  BUT, some music helps you understand your troubles.  And some music can help you do something about your troubles.”

12. GUANATANAMERA-- Like “Wimoweh,” this is a song that Pete learned & taught to the world, singing it over the many years in the face of a U.S. embargo on all things Cuban.  Cuban singer extraordinaire Joseito Fernandez wrote this song to include much improvisation and playfulness in the lyrics, which are often—but not always---made from verses by Cuban poet, José Martí.   This unusual arrangement is by Mathias Becker of Germany .

“Definition of a left extremist:  someone who stands up to defend the Bill of Rights, the Declaration of Independence, and the Sixth Commandment (Thou shalt not kill).”

13. BRING ‘EM HOME—the original first verse said, “If you love your Uncle Sam/Support our boys in Viet Nam: bring em home.”  Pete updated it in 2005.

Amy Goodman:  “Final words, Pete Seeger, {on} the role of music, culture and politics.”
Pete: “They’re all tangled up.  Hooray for tangling!”



2008-2009—“Many Voices, One Land; Songs of Peace & Justice in the American Tradition”

1. Sing Me a Song with Social Significance  (1937)
From the musical “Pins & Needles” by Harold Rome

2. Northfield  lyrics: Isaac Watts (1701); music: Jeremiah Ingalls (1804); Shape note hymn adapted by Seattle Peace Chorus.

3. Slave Song Trilogy  (1820-1850) African-American slave code songs arr. by Melanie DeMore.

4. Tenting Tonight   (1864) Walter Kittredge arr. by Aileen Vance

5. How Can I Keep From Singing?  (1850-1870) Robert Lowery/Ira Sankey/Doris Plenn arr. by Aileen Vance

6. Kaulana Na Pua (Famous Are the Flowers) (1893) Ellen K. Prendergast & David Kalauokalani, Sr
Solo by Takashi Yogi

7. He Mele Lahui Hawai’i (Hawaiian National Anthem)  (1866) Queen Liliuokalani

8. The Cradle Will Rock  (1937) Marc Blitzstein

9. Mayn Rue Plats (My Quiet Place) (early1900’s) Morris Rosenfeld.
arr Aileen Vance.  Thanks to Mark Levy, Mark Zuckerman, &  Ethel Raim for the inspiration.

10. Calypso Freedom  (1960s) SNCC Singers/Bernice Johnson Reagon/Sweet Honey in the Rock
tune based on “Banana Boat song” trad., Jamaican


11. “1000 Grandmothers” (1995) Holly Near vocal arr: Glenn Merbach; piano arr by Colin Hannon

12. Si Somos Americanos (If We are Americans)  (1965—1970) Rolando Alarcón arr. By Alejandro Pino G.

13. Last Night I Had the Strangest Dream  (1949) Ed McCurdy arr by Robert De Cormier

14. Why Shouldn’t We? (2007) Mary Chapin Carpenter

15. Indanee/Indian Prayer  (1974)  Victorio Roland Mousaa  & Tom Pacheco

16. This Land is Your Land  (1940) Woody Guthrie arr. By Robert DeCormier



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