Troy

or "Frankie and Annette starring in 'Saving Private Helen'"

On the one hand you can't get too mad at a Hercules movie, whether it cost $100,000 and starred Steve Reeves or $200,000,000 and starred the hot blonde who peeked in "Thelma and Louise". Beefcake pictures are like beach books: they proliferate this time each year, much like pollen, and are long gone by Xmas, when Oscars the grouch wakes up. Gals drag their guys to them, mucho funno is had later at home, and the guys drag themselves to the gym the next day. Everybodys happy and the local economy prospers.

On the other hand, "Hercules Vs. the Moon Men" is more historically accurate and truer to its source material than "Troy". The "Iliad" is gratuitously long (Homer apparently was being paid by the quatrain), and a bit draggy in the voluminous character backgrounds. But so was LOTR. And I'm not saying that Tollkein does it better than Homer, but Peter Jackson does it WAY better than Wolfgang Petersen. Wolfies best known picture was the dark and claustrophobic "Das Boot" about life aboard a teeny submarine. He should have stayed on board.

On board the for the bloody beach party we have Brad, who prepared for his role as Achilles by hiring a personal trainer for six months at the cost of $5,000 a week. No money left over for acting lessons apparently. But he looks good, no doubt about it. He may be the hottest hairless blonde Greek ever. He may also be the ONLY hairless blonde greek ever. Alongside Brad (when he's not acting circles around him) is Sean Bean as Odysseus. One hopes for a remake of the Odyssey, with Boromir, and no one else involved in the making of "Troy."

Hector is finely played by Eric Bana, posessor of great talent, and even greater pecs. Hector, by some oversight of the screenwriter is allowed to retain some measure of conflict and growth. Orlando Bloom's Paris is a simpering little brother, worlds away from the evil bully that Homer described. The real Paris is decrepit, loud, nasty and quite dirty. Plus the traffic in summer is horrendous.

Helen, the most beautiful woman in the world, is played by Diane Heidkrueger, a somewhat attractive blonde. Paris, frankly is prettier than Helen. Her performance is a show stopper. Every scene she is in grinds to a complete stop, as everyone in camera waits for her astoundingly slow synapses to register an emotion, action, or line. (These slow synapses come to her rescue though in the scene where she embraces Orly, bare bazooms against cold metal armor. Yikes!) When Herr Diane does actually get a line of dialogue to emerge, her accent is a dead-ringer for Mrs. Olsen. I kept expecting her to serve Folger's coffee during the battle watching scenes. Overall though, we must describe Diane, as Jessica Lange was once described in Dino DeHorrendous' King Kong: "A former and future model."

Peter O'Toole is Priam, the king of Troy. Pete, fresh out of another rehab stint has, predictably, a spotty performance. The scene in which he pleads with Achilles to let Priam take the body of Hector is genuinely moving and touching. Outacting Brad Pitt is no stretch for this veteran actor. In the scenes where Priam is on his throne however, we were repeatedly reminded of another type of movement and another type of throne. Righteous indignation or three-day constipation? You make the call.

But all of these lovely people washing up after battle can not really be held responsible for the overwhelming "whatever" that is Troy. Wolfgang and Brad signed on first so they deserve a double share of overripe tomatoes. But the sturdy finger of fate points to know one else so much as to David Benioff. This is the fellow who rewrote the Iliad as a beach blanket movie with a few sub-par washed out battle scenes left over from Return of the King. Just about everything that makes Homer engrossing has been left out of "Troy".

  • Strike 1: Where does Helen come from? Here is her entire life story from the movie: "My Mother brought me to Sparta when I was young." Oh, well of course that explains why - umm.... Why does she go with Paris when she knows that thousands of people will die as a result? In the book she is simply kidnapped by the evil Paris which, though less reasonable, also makes much more sense.

  • Strike 2: Is Achilles invulnerable? His status as a demi-god is mentioned in passing by a 12 year old extra, but Brad just silently glares at him with that all-purpose brood that comprises Mr. Pitts performance. Nice cheekbones though.
  • Strike 3: "Troy" takes place in about a month of time. Or maybe it just felt that way. In the book though, and reality, the Greeks were on the beach of Turkey for 10 years. Achilles pouts in his tent for no less than three years. Now that's an epic storyline! Too bad we don't get to see any of it!
  • Strike 4: How does Paris know to arrow Brad in his eponymous heel? Why didn't he know sooner and save us from the final 90 minutes of film? The whole 'dipped-in-the-protective-waters-by-the-heel' bit is wholly absent from the script. I vaguely recalled it from 4th grade, but how many of todays 'don't educate - graduate' youth know about it? Which brings us to the whopper of a
  • Strike 5: A geeky friend of mine who had not seen the movie but had recently read the book cornered me Monday morning for a review. His first breathless question was who had played the various gods and godessess? Where they human or CGI? I had to gently explain that this was the Atheist Iliad. No pagan dieties, no supernatural interference. He was rightly horrified. The Iliad without Zeus, Hera, Athena and so on is like the Matrix - without the Matrix. The entire context for the characters actions is yanked out from underneath them like a drunk ripping the table cloth off of a full dinner table. With pretty much the same results. The Olympian Pantheon steal the show in Homer. Imagine the entire Cast of Star Trek: the Next Generation, all with the power of Q. They slaughter the prime directive in every scene of the Iliad, with very entertaining results. Here though, we are left with the human drama of watching Brad sulk while 50,000 Greeks, our forefathers of democracy, slaughter 20,000 Trojans through trickery and wholesale murder and mayhem. And they never do find the weapons of mass destruction.

    Which brings up the ending. Achilles has an epiphany that his life as a mass murderer may not have been well thought out. He wanders the streets of burning Troy looking to save Bursitis, his Trojan Girlfriend. Paris, our whinybutt of a bad guy also has an epiphany: "Hey! I'm Legolas, damnit! Hand me my bow." Paris shoots him in his tendon and Achilles dies in about ten seconds. Maybe this is a mortal wound 3,200 years ago, but still Brad folds his tent up mighty fast. And so we are left with Helen, Paris and Andromache (Hectors widow), dashing through a tunnel, presumably to somewhere. Will the surviving Trojans (all ten of them) accept Paris as their king after he wet himself fighting Menelaus? (Has there ever been a better name for a king than Menelaus?) What will the pack of Trojans think of Helen, the cause of their peoples holocaust? I suspect her approval numbers will be mighty low for awhile.

    So. Troy. Crappy computer effects (War in real life is rarely described as "smeary"). Epic beach shots cribbed straight out of "Saving Private Ryan" (Where was the Trojan Air Force? One good air sortie and the Greeks are History.) Acting performances ranging from good (Hector, Priam, Bursitis, Andromeda) to bad (Achilles, looking like a Greek God and acting like a statue as well, and Helen, the face that launched a thousand ships, and it shows in her energy.) Screenwriter Eric Benioff should be tied behind a chariot and dragged across the dunes. But hey, its a just a big Hercules movie. Rent it, and then fast forwards through the talky bits, and the setting bits, and the action bits, But let it play through the washing-up-after-the-battle-moments, and the in-the-bed-with-Bursitis scenes. Its the best performance in a leading role by an ass.

    Angus McMahan

    5/18/04

    1,400 words