Blog entries for:
Nursery Crime books:
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Thursday Next in First Among Sequels
(
2007)
is Jasper Fforde's best yet.
Fforde is a master satirist with the quickest of pens. In this book, the protagonist is Thursday Next. The plot concerns saving the world. The McGuffin is the recipe for unscrambling eggs.
As Michael Berry (San Francisco Chronicle, Sept 30, 2007, p. M2) wrote:
| I appreciate Fforde's depth of imagination, his heartfelt defense of the art of reading, and the cleverness of this series' central conceit. |
However, we disagree with Berry's dismissal that:
| There are too many plotlines, and the exposition of how the Bookworld operates too often slams the brakes on the narrative ... almost every other character [than the protagonist] exists only to deliver punch lines and clever asides. ... [high] wheat-to-chaff ratio. |
Concerning's Berry's compliant about plotlines, Fforde has multiple plotlines because they are interesting and relevant (sometimes for the plot, sometimes for social commentary, often for both). The complexity that daunts Barry seems much more like real life (where one juggles making supper with averting the end-of-the-world, solving work problems, and mentoring a juvenile) than a stipped-down minimalist plot.
Concerning's Berry's compliant about exposition, Fforde uses as nifty technique to orient the reader quickly to his multilayered world, where the heading of each chapter is a quotation from another fictional book. This is especially helpful as his world includes [page numbers above refer to the hardback USA first edition (2007) and are mostly from the headings of each chapter: quotations from other fictional books]:
Concerning's Berry's compliant about characters, Fforde in fact slips only once: Isambard Kingdom Bruñel generates a word vocabulary that has feeble echoes of Roald Dahl, but ends up sounding stupid. Thankfully this painfulness is caged into Chapter 11. Meanwhile all the other characters, especially Friday's other selves and her family members, are necessary and contribute.
We can only praise a Bookworld that has a Mispeling Vyrus Farst Respons Groop.
And an "Anti-Smite shield, designed to protect mankind (or Britain at the very least) from an over-zealous deity eager to cleanse the population of sin" [p. 261].
Even more, we admire the book's awareness of the dangers of poetry:
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"It's not like the books where everything's laid out and orderly.
The oral tradition is dynamic
like you've no idea.
Change anything in there and you will, quite literally give the narrator
... a brain hemorrhage. The same can be said of
Poetry.
You don't want to go hacking around in there without
a clear head on your shoulders."
"Why?" "It's like a big emotion magnifier. All feelings are exacerbated to a dangerous level. You can find things out about yourself that you never knew--or never wanted to know. We have a saying: 'You can lose yourself in a book, but you find yourself in Poetry.' It's like being able to see yourself when drunk." [p. 49]. |
In a meeting with the Council of Genres, Thursday says: "I say we place our faith in good stories well told and leave the interactivity as the transient Outlander fad that it is. Instead of being subservient to reader opinion, we should be leading it." Yes, indeedy, even if that lands you where:
| "Rescue seemed a very remote possibility, and that was at the nub of the whole ethical-dilemma argument. You never come out on top no matter what. The only way to win the game is not to play." [p. 303]. |
But how does it turn out? Read the Book!
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The Fourth Bear: a Nursery Crime (2006) by Jasper Fforde.
Really good, especially for those of us that have run out of Douglas Adams and Terry Pratchett. A fantasy plot that writhes and ripples and reinvents itself in each chapter.
Punch and Judy (of the Show) as marriage counselors are particularly effective.
Many jokes on most pages. One laugh-out-loud joke occurs when, trying to determine some background on the large unexplained explosion in the Berkshire village of Obscurity, Detective Chief Inspector Jack Spratt, quizzing the local vicar, comments on the large size of the church graveyard. The vicar responds, naturally:
| You'd be surprised by the number of people who die in Obscurity. |
Another, with an insight almost as verbal as that of George W. Bush, is Jack's realization that a 50-kilogram cucumber is a critical-mass ultimate weapon:
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"McGuffin, flitting around with his Men in Green,
in the background, was changing, crossbreeding, bioengineering
and reseeding until he had created a devastatingly destructive power that could be
created in a grow bag with nothing more complex than a dibbler
and a watering can."
"You mean . . . ?" "Right," growled Jack. "Cuclear energy." |
And then there is the admission that the Gingerbreadman:
| is the prototype of Project Ginja Assassin, a bioculinary weapons technology ... impervious to pity, guilt or scruples, as the advance guard of an army on the move ... agile, adaptable, tireless and highly motivated -- the perfect Ginja. |
This one almost reaches the brilliance of his Thursday Next books.
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Related pages:
Books on Buddhism.
Books on Learning Spanish.
Poetry - Learn How to Write Your Own.
Forests of California and Trees of the World.
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